Putting Both The Asses In Assassin

In the case of Unit 12, there really are two asses in assassin. One is the shapely one of the lady killer at the heart of the story, on a distant rooftop with a telescopic sight and a high powered rifle to snuggle under it. The other is about to have "a cap popped in it" as they say in the ghetto. Anyways, the song is the aforementioned shapely assassin considering the relationship between her and her target. I think she might be a bit mental - but that's probably the estrogen at work.

Put me on the rooftop, patience is a virtue
I just want to kill you, I don't want to hurt you
Semtex voodoo doll needs a firing pin
Breathe in
Exhale
I don't want to know you I just want to take you out
There's no need to take it personal

We're in business you don't know it yet
And we've got targets that we have to hit
You could be my strangest client yet
Don't you worry I'll take care of it

Can you feel my fingers on your neck?
Even though I haven't touched you yet
We're as close as two people can get
Despite the fact we've never met

Put me on the rooftop, patience is a virtue
I just want to kill you, I don't want to hurt you
Semtex voodoo doll needs a firing pin
Breathe in
Exhale
I don't want to know you I just want to take you out
There's no need to take it personal

This could be a one way mirror
I am not a heartless killer

Musically, we wanted to write something with a proper big pounding public fuck of a middle section. Relentless banging, as it were. *ahem*. But it's nice to bracket that with something a bit more considered.